Is all theory anecdotal if free will is a myth? If we had no control over the world we entered, the books written before us, or the options presented to us, then isn’t any theory/choice constructed by our very personal, lived experiences?
Where the sidewalks stop. Sending a letter in the mail can cost you 120,000 COP/41 USD, but a joint 2,000 COP/.70 USD. Every new apartment comes with servants’ quarters attached to the laundry room. Buses and trucks push black clouds into your pores. Would you like meat with your meat or more meat? Men, this. Women, that. Everyone is looking. ¿BIEN O QUE? Run before you get hit. Breast and butt enhancement. Worship God and a virgin. “Oh my, how this place has changed.” Hasta abajo. High interest rates at banks. GOOOOOOOOL. Thunder. Fruit you’ve never tried. Grocery lines that are never express. Rat tails. Arepas con quesito. Please take a number. Maximum capacity. “No, no, really, hire a driver.” Mr. Tea at the country club. Pico y placa. Unfinished buildings, unfinished business. Días violentos en la comuna 13. Mazda, Mazda, Mazda, Renault. Venezuelan migrants trying to get their families out. Saturday sin, Sunday mass. “Yo no creo en las brujas pero que las hay las hay.” Numerology readings and pink quartz somehow under your pillow. European backpackers flocking to resort hostels to sit on the beach and drink beer. Selfies so they know. Chicharrón everything. “Restaurants don’t let me park my taxi outside when I’m a customer, so I don’t really eat out.” Don’t question, have faith. Buenas. Nonconsensual reggaeton. Got cut in line for the cable line. +DMT, -TV written all over the city. People say hi. Hooks under the table. Don’t give papaya. White lace on a five-year-old girl. Her brother almost went priest. Juice with added sugar or milk? Postobón brings the family together. Weekend lunches into TV marathons. Magic realism can’t extinguish the trash fires, but the butterflies are real. Long tees asking if you wanna buy some coke. More likely perico (not the bird). Trauma. Un tinto, porfa. Bricks. Near misses on motorcycles. Feedback loops break with a punch in the face. Two condors poisoned in Tayrona. “It’s God’s Will.” Cream paint job with tinted windows. Still a patrón. Don’t say his name. Salsa, merengue, bachata, cumbia, vallenato, champeta. Brave bicyclists wearing facemasks. Nada cambia. Single/American/male tourists who often refer to themselves as digital nomads and openly cackle over the conversion rate. Parents hustling candy at traffic lights. Sniffing gasoline will suppress the hunger. Medellín es una chimba. A child begs for money while an older man watches from a distance. The leaves will breathe it all in and spit it all out until the valley suffocates.
Saying goodbye to Berlin. All the history, the hofs, the cafes, the dark hallways. Messages in bathroom stalls. Strangers and smirks and lit uBahn station tiles. The haircuts, the black. Dogs waiting outside Lidl off-leash. Seven spätis on my block. The canal. Sourdough brötchen for breakfast, with extra butter. The zimt rolls. Working at Clue. Kotti. The first time I tried to pronounce Straße. The complaints and the appreciations. Grey skies in winter. Fucking February. Sonnenallee. Hermannstraße. Karl-Marx-Straße. An apartment all to myself. Quiet mornings. Summer sidewalk seating. The smell of cigarettes. Nah? Sunset at 4pm; sunset at 11pm. Candle-lit bars. Clubs with no phone policies. Femme attire including white sneakers on the dancefloor. Faces full of speed and ketamine. Event poster on event poster on event poster on event poster. The first warm day of spring. 3€ slices at Pazzi. Buying groceries at the Schillermarkt. Cherry blossoms and momentous parks. Eyes on thighs and catcalls. That one pitbull on Dresdenerstraße. She’s not there anymore though. Grunewald? Bad pot at Hasenheide. Learning the proper sdrauna regimen. Nudity. Being scolded by an aufgussmeister. Seeking bougieness in Mitte. Falafel und halloumi teller, bitte. Azzam. (But Maroush is better.) Reminding grown men not to litter. Open air festivals. Feeling empty then full. Looping thoughts. Australians, Australians everywhere. Natural wine. Getting into Berghain. Not getting into Berghain. The wedding caravans of honking Mercedes. The wedding dress shops of Neukölln. The chocolate cake at L’eustache. Ambulance sirens. Keith. Blaming and praising Angela Merkel. Sitting topless at Tempelhof Airport. Funkhaus. Being called Frau. Spilling gluhwein at Christmas markets. Unapologetic PDA. Still saying hella. Babies in backpacks and bike baskets. Abandoned TVs and mattresses. Cryptic heartbroken messages. Gold plates under your shoe. The Ausländerbehörde. A mountain made of rubble. Trees you wish could talk. Rides on the front of his bike. Music everywhere. The people. All seeking and leaving and finding and hiding and yearning and making and changing. See you soon/never/always.
It’s 7am on the uBahn. Eyes still puffy from the night before. A woman slowly nibbles her morning brötchen while staring into the static on the broken TV above. Everyone is silent. And in this crowd of straight faces, there I am: grinning like an idiot. Why? I have a little secret. There’s acid under my tongue.
This slightly mischievous feeling is familiar to me. I’ve taken 1P-LSD (a legal LSD analog in Germany) over 50 times in the last six months. Most doses have been small. So small that they’ve merely lifted my mood, generally speaking. But somehow each and every time still feels brand new.
These ritual doses have drastically improved my life and reshaped my perception, but what’s really been going on inside my head? It seems my brain has been especially malleable these last few months. I’ve been able to untangle the knots of thought that eclipsed my reality and made everything a little darker.
What type of people decide to become writers? How much self-confidence does it take to decide one day: “I’m going to be a writer.” What level of self-indulgent satisfaction must one reach before they finally hit send; publish.
I imagine them jotting shit down at an elegantly disheveled desk. Writing with feverish intent and concentration. And not on a computer! With a pen. Just like in the movies. But who’s in the picture? Appears to be white dude in his 50s with a dad bod and greying hair. He wears stylish glasses.
Why does this image come most naturally to me?
I can’t compare myself to this portrait. I’m all over the place. But I like to think my mind has more in common with that dude’s desk than him: it’s messy. But full of curiosities and stories that might be worth organizing and sharing someday.
Externally everything seems fine. My appearance manifests itself as a relatively high functioning young adult who lives and works in Berlin.
But I’ve dealt with an unquiet mind all my life, and managing that has proven to be a difficult but beautiful journey. I’ve experienced and still work with anxiety, addiction, mood swings, a strange relationship with food, significant dips in motivation, obsessive tendencies, and self-harm in many intricate fashions. I have trouble admitting this sometimes, but other times, it’s crystal clear.