Feed

… someone is said to be the same person from childhood till old age. Although he is called the same person, he never has the same constituents, but is always being renewed in some respects and experiencing loss in others, for instance, his hair, skin, bone, blood and his whole body. This applies not only to the the body but also to the mind: attributes, character traits, beliefs, desires, pleasures, pains, fears—none of these ever remain the same in each of us, but some are emerging while others are being lost.”

-Diotima in Plato’s Symposium

Un momentito en el Ciudad de México

Zigzagging an empty room. Tracing low ceilings with fingertips, confirming ease of reach. The man before me palmed a lightbulb as we glided through. “Tu pasaporte.” Stamp. “Gracias.” Arrived. Her surprise. Hugs and cries. Then out. That same burnt smell. Quiet arteries of a city, meeting at congested joints. The whites of his eyes stared at me, paced, as I ordered my morning coffee. Three aproned women stood up to shoo him away. “He said you’re beautiful because of your blue eyes and I am not.” A foreigner again. Hidden sugar. Expanding bodies. “He asked me if I was gay… Apparently being over 30 and skinny in Mexico means you’re either gay, or… not living, not married…” Inhalations that choke. Blue toilet water. Fabuloso and Glade plugins. Hives across my neck. He accidentally ran over her foot outside the Casa Azul. Quite a lot of stuff for a communist. Heavy Suburban doors. ¿Bulletproof, por que? I never close it tight enough. A smiling man with long hair in a VW van—full of dogs. Coyoacán. “I went to school there for a year, then they kicked me out.” Down the street from Cortes’s mansion, and La Malinche’s. They must have been fucking. Shivers at the oldest church in Mexico. I touched its wall. I don’t know why. Mezcal. 80s MTV, a cantina where grown men sleep. Huitlacoche, escamoles, caldo de res, elotes, tacos. Up a 1930s elevator, through a hall of agave and aloe, onto a rooftop terrace, an orange sky + mountain view. Some beers, some cocaine. Good people, good conversation. She’s escaping European lockdown. Lived in Berlin her whole life, but still, says they can sniff out her difference. Her high cheekbones, the in-tact femininity. A further East scent. “All the women in my family; PhDs in leather mini skirts.” Then into the tiny penthouse. Full of herbs and handmade clothes and trinkets, two busts, from a friend who passed, towers of books, an AR-15 in the bathroom, or was it an M16?, toothbrushes in an I <3 BERLIN mug, frames collected from all over the place, without intention, recklessly/beautifully. In a small circle, calm. Everything we need for now. I shared a leather chair with her as she trimmed her herbs. We spoke about lineage, sexuality, past knowledge, pain, the chaos of the modern world. What led to this. “Eventually, a future generation is just going to go absolutely bonkers again, orgies and everything.” “The kids today aren’t even fucking—-maybe their kids then.” “It’s going to be a fiasco.” I’ll be back in a few weeks.

vanity and void

The story of my life doesn’t exist. Does not exist. There’s never any center to it. No path, no line. There are great spaces where you pretend there used to be someone, but it’s not true, there was no one. The story of one small part of my youth I’ve already written, more or less—I mean, enough to give a glimpse of it… Nowadays it often seems writing is nothing at all. Sometimes I realize that if writing isn’t, all things, all contraries confounded, a quest for vanity and void, it’s nothing. That if it’s not, each time, all things confounded into one through some inexpressible essence, then writing is nothing but advertisement. But usually I have no opinion, I can see that all options are open now, that there seem to be no more barriers, that writing seems at a loss for somewhere to hide, to be written, to be read. That its basic unseemliness is no longer accepted. But at that point I stop thinking about it.”

-Marguerite Duras
The Lover