Days slipped by obliquely, with little to remember, just the familiar dent in the sofa cushions, a froth of scum in the bathroom sink like some lunar landscape, craters bubbling on the porcelain when I washed my face or brushed my teeth. But that was all that went on. And I might have just dreamt up the scum. Nothing seemed really real. Sleeping, waking, it all collided into one gray, monotonous plane ride through the clouds. I didn’t talk to myself in my head. There wasn’t much to say. This was how I knew the sleep was having an effect: I was growing less and less attached to life. If I kept going, I thought, I’d disappear completely, then reappear in some new form. This was my hope. This was the dream.”

-Ottessa Moshfegh
My Year of Rest and Relaxation

🤐

And once again I am, I will not say alone, no, that’s not like me, but, how shall we say, I don’t know, restored to myself, no, I never left myself, free, yes, I don’t know what that means, but it’s the word I mean to use, free to do what, to do nothing, to know, but what, the laws of the mind perhaps, of my mind, that for example water rises in proportion as it drowns you and that you would do better, at least no worse, to obliterate texts than to blacken margins, to fill in the holes of words till all is blank and flat and the whole ghastly business looks like what it is, senseless, speechless, issueless misery.”

 

-Samuel Beckett
Molloy

🕳️

Boy writes on air the way my old neighbour Gene Crimmins says Mozart played piano, like every word was meant to arrive, parcel packed and shipped from a place beyond his own busy mind. Not on paper and writing pad or typewriter, but thin air, the invisible stuff, that great act-of-faith stuff that you might not even know existed did it not sometimes bend into wind and blow against your face. Notes, reflections, diary entries, all written on thin air, with his extended right forefinger swishing and slashing, writing letters and sentences into nothingness, as though he has to get it all out of his head but he needs the story to vanish into space as well, forever dipping his finger into his eternal glass well of invisible ink. Words don’t go so well inside. Always better out than in.”

 

-Trent Dalton
Boy Swallows Universe

There were old men climbing the rocks and lying in the sun with their hands folded. There were small boys stomping the wildflowers. And I saw the ancient days. There were bells tolling and wreaths tossed and women turning in circles and there were bees performing their life-cycle dance and there were great winds and swollen moons and pyramids crumbling and coyotes crying and the waves mounting and it all smelled like the end and the beginning of freedom. And I saw my friends who were gone and my husband and my brother. I saw those counted as true fathers ascend the distant hills and I saw my mother with the children she had lost, whole again.”

 

-Patti Smith
Year of the Monkey

Question

Is speaking/(writing) subjectively an inherently selfish act? Is it possible to speak for others in speaking for self? Or speak for those who came before (especially those silenced) by speaking now? Do women get challenged more for speaking subjectively than men?

luce

She is or ceaselessly becomes the place of the other who cannot separate himself from it. Without her knowing or willing it, she is then threatened because of what she lacks: a ‘proper’ place. She would have to re-envelop herself with herself, and do so at least twice: as a woman and as a mother. Which would presuppose a change in the world economy of space-time…

Who or what the other is, I never know. But the other who is forever unknowable is the one who differs from me sexually. This feeling of surprise, astonishment, and wonder in the face of the unknowable ought to be return to its locus: that of sexual difference… Sometimes a space for wonder is left to works of art. But it is never found to reside in this locus: between man and woman. Into this place came attraction, greed, possession, consummation, disgust, and so on. But not that wonder which beholds what it sees always as if for the first time, never taking hold of the other as its object. It does not try to seize, possess, or reduce this object, but leaves it subjective, still free…

A sexual or carnal ethics would require that both angel and body be found together. This is a world that must be constructed or reconstructed. A genesis of love between the sexes has yet to come about in all dimensions, from the smallest to the greatest, from the most intimate to the most political. A world that must be created or re-created so that man and woman may once again or at last live together, meet, and sometimes inhabit the same place…

How can we mark this limit of a place, of place in general, if not through sexual difference? But, in order for an ethics of sexual difference to come into being we must constitute a possible place for each sex, body, and flesh to inhabit.”

-Luce Irigaray
An Ethics of Sexual Difference