what goes and what’s kept

Many find the text [The Reign of Quantity] difficult because it asks us to question our very modes of being, and perhaps, because it asks us to question an ideology in the form of modernism that has become so set in our minds that any other way of being seems fanciful and unrealistic. However, the teachings of the traditionalists should not in any sense be taken to mean that they seek, as it were, to repeat the past or indeed simply draw a distinction between the present and the past. Theirs is not a nostalgia for the past, but a yearning for the sacred. And if they defend the past, it is because in the pre-modern world, all civilizations were marked by the presence of the sacred. As I understand it, in referring to tradition, they refer to a metaphysical reality and to underlying principles that are timeless——as true now as they ever have been and will be. And, by way of contrast, in referring to modernism, they referred to a particular, though false, definition of reality. A particular, though false, manner of seeing and engaging with the world that is not distinguished by time, but by its ideology.

When we use the term ‘modern,’ we mean neither contemporary nor up-to-date. Rather, for us, modern means that which is cut off from the transcendent, from the immutable principles, which in reality govern all things… modernism is thus contrasted with tradition… Most especially, therefore, we can see that it is the timeless quality of these immutable principles of tradition that make its teachings so… timely. For me, the teachings of tradition suggest the presence of a reality that can bring about a reality of integration, and it is this reality that can be contrasted with so much of modernism’s obsession with disintegration, disconnection, and deconstruction—that which is sometimes termed ‘the malaise of modernity’—cut off at the root from the transcendent, modernism has become deracinated and separated itself…”

-Charles III

não é nada

There we lived for a time, a time incapable of passing, in a space one could not even think of measuring. A passing of time outside of Time, a space that knew nothing of the usual habits of real space… O futile companion of my tedium, what hours of happy disquiet seemed to be ours! Hours of ashen wit, days of spatial longing, inner centuries of outer landscapes… And we did not ask ourselves what it was for, because we took pleasure in knowing it wasn’t for anything.”

-Fernando Pessoa
The Book of Disquiet

The truth is that there are two ways in which the future can become obsolete. One is through the inability to imagine the New: in this model, the idea of building a Tower never occurs to us; we are content to stay on the ground. The other happens when the New becomes so perpetual and unrelenting, when the construction of the Tower becomes so consuming, that we no longer have the luxury or the inclination to look up… You cannot have a future without a sense of the past, and there is no quicker way to make both obsolete than by insisting on the urgency and the singularity of the present.”

Meghan O’Gieblyn on deep time
and Long Now’s 10,000-year clock

Same

Time is a fractal, or has a fractal structure. All times, moments, months and millennia, have a pattern; the same pattern… A love affair, the fall of an empire, the death agony of a protozoan, all occur within the context of this always the same but ever different pattern. All events are resonances of other events, in other parts of time, and at other scales of time.”

-Terence McKenna