vanishing point

For the desert is simply that: an ecstatic critique of culture, an ecstatic form of disappearance. // Like a fibrillation of muscles, striated by the excess of heat and speed, by the excess of things seen or read, of places passed through and forgotten. The defibrillation of the body overloaded with empty signs, functional gestures, the blinding brilliance of the sky, and somnambulistic distances, is a very slow process. Things suddenly become lighter, as culture, our culture, becomes more rarefied. And this spectral form of civilization which the Americans have invented, an ephemeral form so close to vanishing point, suddenly seems the best adapted to the probability—the probability only—of the life that lies in store for us. The form that dominates the American West, and doubtless all of American culture, is a seismic form: a practical, interstitial culture, born of a rift with the Old World, a tactile, fragile, mobile, superficial culture—you have to follow its own rules to grasp how it works: seismic shifting, soft technologies. // Everything here testifies to death having found its ideal home.”

-Jean Baudrillard
America

line

 

A story about my maternal line ~~~ This is my great grandmother Martha Gayer. My mother’s mother’s mother. She died in 2008 at the age of 99, but I didn’t know she was alive at the time or when she died. I was never introduced to her. She lived alone in a psych ward in Iowa, estranged from most of the family. My grandmother hasn’t said much about her or anything to me. All I was told is that she was mad. /// Martha’s mother, Alvina Tanck, migrated alone from Dägeling to Iowa in 1907 in her 20s. Alvina was born from the rape of her mother—the rapist: her mother’s brother-in-law, one of my grandfathers— and deemed ‘illegitimate’ from birth. The farm in Iowa was her fresh start. She had nine children, including Martha. /// I wish I met her. But I can kinda see her smirk on my face.

Question

Will off-label psychedelic prescription use be the new recreational or will it mostly be sought for self-directed therapy or therapy with the help of alternative facilitators? Will people—with or without diagnosable mental conditions—prefer off-label use so they can direct/choose the therapeutic style?*

In response to this recent article in Scientific American. 

confronted

Sentimentality, the ostentatious parading of excessive and spurious emotion, is the mark of dishonesty and the ability to feel; the wet eyes of the sentimentalist betray his aversion to experience, his fear of life, his arid heart; and it is always, therefore, the signal of secret and violent inhumanity, the mask of cruelty… He is not, after all, merely a number of a Society or a Group or a deploration conundrum to be explained by Science. He is—and how old-fashioned the words sound!—something more than that, something resolutely indefinable, unpredictable. In overlooking, denying, evading his complexity—which is nothing more than the disquieting complexity of ourselves—we are diminished and we perish; only within this web of ambiguity, paradox, this hunger, danger, darkness, can we find at once ourselves and the power that will free us from ourselves… Our passion for categorization, life neatly fitted into pegs, has led to an unforeseen, paradoxical distress: confusion, a breakdown of meaning.”

-James Baldwin
Everybody’s Protest Novel

Off to Oz

The tension before taking off. How do you pack it all and go? Zippers inside zippers. A tetris of objects playing tricks of easiness. Summer clothes. THC tea, a blotter sheet, Dr. Bronner’s soap, Goo Gone for sticky messes. Rhodiola and yerba mate. 37 books. I’m ready. Flying into another season. The farthest I’ve ever been from home. My cells shake, anticipate. Preparing for a whole new world. New rules, new government, new order. No more sativa mornings. Walks through redwoods. No more Bart rides to 16th. Delayed by people jumping. New transit, new accent, new coffee shops. Wondering what will be. A place that seems mythical. A place also fucked by foundations of colonization, but somehow seems to function in a streamlined smoothness of well-being that gleams from many Aussies I meet. Generally okay. No worries. And that’s what scares me. The main thing I’ll miss and maybe even crave in Australia is friction to rub against. Something to be bothered about. An itch. Something that makes me watch out. Something that makes me critical. All the chaos home provides. The subsequent yearning to make, to do, to deconstruct, to transform. What will I do in a land called Oz? The same as anywhere: think, feel, read, write. Burn and rebuild energy. But will Australia irk me the same way? Will the people agitate towards change like they do in the Bay? Will there be access to the same niches of information and conversation? Talks on Tuesdays. Will the people care about what’s happening around them? Or are they too far removed, hearing yesterday’s news? Will the flag be half-mast everyday there too? Lifted into the air by migrants on minimum wage while those who pay to have it risen stay inside, scheming. The American Dream. If everything is relatively sane and easy-going down under, then what is there to reach? (Isn’t simply being there wrong?) Where’s the dirt? (Paved by Victorians seeking gold. Stolen generations.) Maybe it’s fertile soil for groovy music and laid-back design of neon pinks and blues. Quality gastronomy. I’m not sure how far I’ll go slipping into pleasure. A new place to consume. You can’t compare the two, but you can feel them differently. When you mix all the paint the color turns brown. Once at a bar in Paris, drinking my favorite color green, I overheard a table of Aussies saying they’ll never go to the United States. Because of the ignorance, the obesity. All the shit. The competition, the stress, the drugs, the mess, the machine. But I’ll miss the mud that springs lotuses of reform the world watches and replicates. The tallest trees and the dry breeze. I’ll miss California. Not the border, but what happens within. Channels of hope to grasp in the dark. The ones that pull you through and push you forward. This is just a time capsule of thoughts. A photograph. Maybe in a year I’ll have some answers to these questions. Maybe I’ll be wrong, again. And look, I’m outside of myself. Already there, wondering how next will be.

*

Here. Made it. First impression: love.