Does trying to describe something make it less sacred/special?
Notebook entry on October 15, 2018
With every journal I scribble the years. Wonder what’s happening. Detached from the moment, pen following behind the brain. Probably don’t write as much as I should, but it comes as it likes. And when it wants, it needs. There is no choice. No yes or no—just words coming out. So much to say, so much to miss. Where’s the space between? Do they connect? A perpendicular line across the two or parallel along the edges? Another divine intersection. Eternities we cannot see. Maybe it’s in a poem or a card. The secrets in the stars. What do they need? Nothing; anything will do. They’ll go on and on no matter what. Can we alter the course? Only forward.
Three hundred years ago he moved from Bern and changed his name from Aebi to Avey to sound a bit more neutral, a bit more American. I’ve been thinking more about what it means to be American. Who, how, why. I have some reference points. It was easy to move to Germany. Music I know is everywhere I go. My Colombian father-in-law told me to hide my passport because it might get stolen. I underestimate that blue cover. The public schools and libraries. Hiding a heritage of human sorrow and potential. Somehow still allergic to this land. Poison oak forms a resistance on the trails we blaze. Oozing with red bumps, making me question the way. I’m the non-native species. Make it more American. But how? From the jazz to the mundane. Paint the spectrum black or white. The distance between what you know and want to know lies in what you create. Between places you’ve been and places you can’t imagine. How could it be so hard to write under your parents’ roof when they gave you every neuron? Drive north on the 1. A loud bed and breakfast might be awkward. Let’s take a quarter and go explore. Another pioneer couple walking on a boneyard of tree branches. Looks like beach cheese. Sitting halfway up a Monterey cypress. Staring at the setting sun with the moon to our back. This place makes me sleepless. I heard a man inside the wall with a pickaxe. Crumbling down the structure from the inside out. But then the mother of slumber blacked out my vision with her placement of fill-in-the-box. I’m home. Horace Greeley might have told you to “Go west, young man,” but I’m called by the wild poppies and cortaderia. Those here before us. Junipero Serra paved the way, killing with faith. Priests on a mission overlook young women. Left out of the literature. I’m pulled in by the Pacific, the way redwoods hold on to their neighbors’ roots. Prioritizing nourishment. A church turned grocery store. Looking at another “All Are Welcome Here” sign made Sam ask what that says about other places. A bold statement against a dark reality. But damn this place is hard to reach.
Reason is unquestionably a fine thing, but reason is no more than reason, and gives fulfillment only to man’s reasoning capacity, while desires are a manifestation of the whole of life — I mean the whole of human life, both with its reason and with all its itches and scratches. And though our life in these manifestations will often turn out a pretty sorry mess, it is still life and not a mere extraction of square roots. After all, I quite naturally want to live in order to fulfill my whole capacity for living, and not in order to fulfill my reasoning capacity alone, which is no more than some one-twentieth of my capacity for living. What does reason know? It knows only what it has managed to learn, while human nature acts as a complete entity, with all that is in it, consciously or unconsciously; and though it may be wrong, it’s nevertheless alive.”
– Fyodor Dostoevsky
Notes from Underground
Harriet A. Washington ✸ Infectious Madness
Hilton Als ✸ White Girls
What type of people decide to become writers? How much self-confidence does it take to decide one day: “I’m going to be a writer.” What level of self-indulgent satisfaction must one reach before they finally hit send; publish.
I imagine them jotting shit down at an elegantly disheveled desk. Writing with feverish intent and concentration. And not on a computer! With a pen. Just like in the movies. But who’s in the picture? Appears to be white dude in his 50s with a dad bod and greying hair. He wears stylish glasses.
Why does this image come most naturally to me?
I can’t compare myself to this portrait. I’m all over the place. But I like to think my mind has more in common with that dude’s desk than him: it’s messy. But full of curiosities and stories that might be worth organizing and sharing someday.